Almost thirty years after the revolution, and twenty since the end of the long Iran-Iraq war, a voyage into the heart of Tehran, a megalopolis of fourteen million people. The city is still recovering from its past, as talk of sanctions and a possible American attack resonate. An intimate look at the way people live in this immense city today, caught up in its paradoxes and contradictions.

Ramallah today. A free spirited woman dancer and wife of a prisoner, Kamar, meets Kais, a Palestinian returnee. At the same time, Kamar's life is thrown into the turmoil of family's legal case against the confiscation of its land. She is caught in the midst of her desire to dance and to break the family's and society's taboos about a prisoner's wife's role. Meanwhile life under occupation rages on.

Cartography of a city. Portraits of Jerusalemites, from one district to the next, from west to east, following in the steps of Shanit, Neda, Avraham, Akram, and the Surkhi family. A wall that separates and chokes the Arab villages, imprisons families, who lose their identity, and stops the traffic of ambulances. A fragmented city where the checkpoints are constantly relocated according to the most recent happenings.

Every year, the inhabitants of Nabatiyya commemorate the martyrdom of Imam Al-Husayn in 680. The film explores the parallelism between war and rite in Nabatiyya, an important town in the Lebanese religious area.

Bedouins appear in the Israeli collective consciousness as either "ethnographic" or "demographic" issues. Their representation keeps most Israelis from seeing them as people with hopes and dreams, frustrations and fears, possessing a past and a future. Five people whom history has cast in the roles of protagonists are antagonized by a state that has established itself on their ancestral lands. A film about people forced into the role of Bedouins - the only identity the State of Israel allows them, and the very identity it systematically denies them.